investigation of brick ended plugs considering yazd jame mosque
Authors
abstract
yazd jame mosque can be named as the most brilliant building of this city. ancientness of this mosque refers to before islam time and it was witness of many changes proportional to its time.the decorations were always one of the iran architecture principle and are in very special important in evaluating it.we encounter with various decorations during investigating yazd jame mosque like other buildings of islamic era, such as brick ended plugs.plugs are among those decorations which are considered less as independent decoration created by the researchers and it has been considered mixing plaster and brick working.while the method of work, variety and simple designs applied in it can make the plug significant as a decorative independent element with special visual specifications.the plug is actually pointing among the bricks and it is created by the brick and plaster and it has been applied in brick arrangement inside internal space of some islamic buildings and it is also used for coating all surfaces and/or some determined part of building. this type of decoration made the wall surface various and covered the uneven hammered bricks; in addition protected the mortar between two bricks and white plaster intensified the environment light.the method of performance was such this way that the vertical lines of brick wall was selected wider and/or some section of brick was cut along vertical lines and bricks surfaces and their spaces were coated with plaster mortar or its compound such as plaster and soil and/or plaster and lime.this type of decoration became usual in iran since seljuk era and it reached its peak during mongol era with more prevalent. type of materials, shape variety and plugs operation methods are among the questions which excite every addressee’s mind and general aim of this article is to find an answer for these questions. in this thesis, after some examinations about plug array as a independent decorative element, the background of this array has been studied in iran architectural decorations and also its formed materials. then, the ancientness of yazd jame mosque was studied as a research pattern , and location of plug in the mosque, the proportion of this decoration and its location in this building and the engraved designs on the plugs also have been studied as a visual element effective on space.the engraved designs in this plaster layer include various types of simple geometric designs, floral designs, blessing sentences and holy names of allah, ali and mohammad that some times they have created the designs like cruciform images in wider extent, mixing the designs. since the engraved designs on the plugs of jame mosque can be considered as their most distinct features, in this paper, they have been studied from both conceptual and visual aspects. therefore, after explanation of place of designs on the plugs of jame mosque and type of artist’s view and aim in creating them, image quality of designs by aid of presenting the picture and schematic designing were classified and studied, emphasizing on their variety.
similar resources
The Study of Jame Mosque of Kashan’s Brick Decoration
Based on its inscription, the history of Kashan’s Jame mosque minaret dates back to 466 A.H. One of the prominent features of remaining architectural works, including minarets, is the vast and subtle use of bricks and the brick ornament’s integrity with the structure of buildings. Unlike other examples contemporary with Jame mosque minaret, there is no trace of subtle brick decoration. Also, th...
full textAnalysis of permissible water inscriptions in Jame’ Mosque of Esfahan
The inscription dedicated to permissible water in the Isfahan Grand Mosque is one of the valuable endowment letters of the Safavid period. The content of the above inscription refers to the name of Amir Aslan bin Rostam Sultan Laleh Afshar Arshlou, who during the reign of Shah Tahmasb I, by digging a river, brought the permissible water to the mosque and dedicated it to this building. This rese...
full textAcoustic quality assessment at Nezamol molk dome of Jame mosque of Isfahan
Incontrovertibly, the sense of hearing is one of the five most substantial human senses. In fact, the human ear receives sound and transmits to the human brain by the auditory organs. Hence, sound can be considered as one of the key tools of human communication with each other and the environment around them. Since acoustic has a profound impact on the body, soul, and the performance of human ...
full textThe Role of Daylight within the Vault of Shahrak-e-Gharb Jame Mosque in Tehran
Light plays an important role in the valuation of architectural elements, and it is a factor in designing spaces. Elements have no visual identity without light. This paper is intended to analyze the lighting in the vault of Shahrak-e-Gharb Jame Mosque with an emphasis on the role of daylight in order to find out how the designer has viewed the use of daylight in designing this mosque. The main...
full textComparative study of Daylight Design in Safavid Mosque and Renaissance Church ase studies: Jame Abbasi Mosque in Isfahan and St. Peter Church in Rome
This study compares the Safavid Mosque and the Renaissance Church in the field of daylight design. The present study seeks to answer these questions: What methods are used to provide the light in the mosque and church, and what are the similarities and differences between the “qualities of the presence of daylight” in each of these religious buildings? To limit the scope of research, Jame Abbas...
full textمطالعه تطبیقی اجرای کتیبههای کوفی آجری در پنج بنای سلجوقی در اصفهان
Kufic inscription is one of the prevailing inscriptions in most of the mosques and minarets of the early Islamic centuries. The style of Kufic inscriptions was appropriate to be implemented by the technique of pre-cut brickwork. Therefore with the brickwork prosperity as the material of structure and ornaments of the facades in Razi style and especially the Seljuk era, the brick Kufic inscripti...
full textMy Resources
Save resource for easier access later
Journal title:
هنرهای تجسمیجلد ۱۷، شماره ۴(زمستان ۱۳۹۱)، صفحات ۶۷-۷۴
Keywords
Hosted on Doprax cloud platform doprax.com
copyright © 2015-2023